Tokyo International Forum Finals (F) This is my last post on the final phase presentation for the Tokyo International Forum. The following images are views that were dropped from the final presentation. They all deal with the Glass Hall or the Plaza, so there was no real lose in understanding from dropping them. The Glass Hall roof was perhaps the most distinctive feature of the entire design. It was essentially a huge canoe shaped structure, that was rigid enough to “hang” the glass “curtain”. Part of an earthquake-safe structure, it also was a beautiful sculptural form. Several ideas were explored as the design developed, as shown above. Above, photos of the resulting form at night. We tried out views from the bridges over the plaza. This idea was dropped fairly quickly when it was realized that we would be largely looking at the tops of trees. A photo of the plaza from the north end. I found few photos from the bridges over the plaza, and, as we expected, they s...
Over the years I have created quite a few one point perspectives. The following are samples of layouts, both hand and computer generated. Some illustrate an aspect of layout work, but most are simply here to show the range of projects that accommodate one point views. This layout from the 1980’s shows a pedestrian way through the Harper and Row Headquarters Building in Manhattan. It is essentially an elevation with steps in the foreground, and a rectangular passage receding geometrically into the distance. It could have been worked out using a diagonal vanishing point alone, but was actually constructed from a measured plan which can be seem in light pencil under the passageway itself. The most difficult part was the lettering on the cylinder to the left of the opening, which was worked out by eye. This view of an office hallway at the General Reinsurance Headquarters in Manhattan was typical for sketches in the ‘80s. The plan can be seen at the bottom of the column, and the pict...
I have been quite busy from the beginning of the year, and so have only now felt able to acknowledge the death of my mentor and friend, Hugh Hardy, on March 17. The first time I saw Hugh was at a building where his company was vacating a floor, and I was involved in the renovation of that same floor for a new tenant. I found myself in the elevator with him, and was so flustered at being alone with a longtime architectural hero that I stood there tongue-tied. That was in 1986. Three years later I had gained some experience doing perspectives for offices where I worked, and I began working as a freelance architectural renderer. Late in 1991 I got a call asking if I had time to work on the Vancouver Library competition. That competition was won by Moshe Safdie, but Hugh liked my work and we got along easily. I did rendering work for Hugh, as well as his partner Malcolm Holzman, for the next ten years. Although his projects were usually performing arts venues, he was quite capable of...
Comments
Post a Comment